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is designed for machines
schmelzende Polkappen und das Patriarchat
both inherently and in our fast-changing cultural ecosystem
Geldzahler
met Albert Speer
Politik von Medienbildern - Politics of Media Images Bauhaus is designed for machinesThrough which framing do we perceive images? How does their reception change depending on editorial decisions? How comprehensively is our perception of global events influenced by their media treatment? Which contextualization comes closest to what is actually happening? Can there be objective coverage? Raising questions like these posed by art historian and photography theorist Mira Anneli Nass rather than presenting answers, is a key to Jonas
