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das Kevin Kemter so heute nicht mehr schreiben (und malen) würde und das gerade deshalb heute gelesen werden sollte
Als Begleitbuch zur grossen Ausstellung im Haus der Kulturen der Welt in Berlin und im Zentrum Paul Klee in Bern verfolgt Bauhaus imaginista die internationale Wirkung der Bauhaus-Praxis und -Pädagogik vor dem Hintergrund der geopolitischen Veränderungen im 20
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almost calligraphic sketches of other works from the Canton's art collection
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Campo di Marte curating das Kevin Kemter so heuteCampo di Marte was devised in March 2020, at a time when Nathalie Du Pasquier was not painting. After cutting out photos of paintings produced between the 1980s and 2020, morethe French artist then placed them in a sequence as if they were a series of typefaces, focusing solely on their formal qualities and the scope for interpretation offered by their assembly. What comes out is an enchanting game of nonsense, an everyday surrealism in which the
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