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our politics
displaced characters
Pavlova (Australia)
the sublime and possessive individualism in recent “critical” art
scholarship
Photographs 1978-1985 - Christine Furuya-Gössler Modernism our politicsChristine Furuya Gssler captures her reality with an almost enigmatic distance. Photographs (19781985) brings together seven years of photography, revealed for the very first time. Primarily known through the eyes of her husband, Seiichi Furuya, for whom she was the muse, Christine began taking photographs in 1978, when they met. As a photographer of reality, she offers a unique vision of her private life and her relationship with the world. Furuya
