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a horsewoman
which led to his unrivalled knack at creating a balanced composition out of seemingly random unconnected objects
It’s no mistake that Lenard Smith’s new book borrows its title from Susan Sontag’s 1977 essay of the same name
Ettore Sottsass
which has autobiographical features and can be read as a contribution to the art discourse of the 1960s
Ready to Articulate Work & Planet Earth a horsewomanThe artworks crackle with movement fittingly Gonzales is a dancer, in the tradition of Merce Cunningham or Trisha Brown, but on wheels. His teenage years in 1980s Los Angeles were spent traversing the streets, which, by proxy, became his moving canvas. He earned a reputation as a pioneer of modern skateboarding a master, albeit one not bound by flawlessness or precision, but the anarchy afforded only after achieving true mastery. It was as if he
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