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Sara De Bondt
geometric carpets and chevrons of rosewood veneer
Also includes John Muir’s first-hand account of floating in Great Salt Lake
piecing together the symbolic and aesthetic markers of a personal and cultural heritage
Working in the tradition of the ragpicker
A Subversive Gleam: Max Bill and His Time 1908–1939 behind the painting Sara De BondtMax Bill (19081994) was a Swiss polymath bridging the worlds of art, design, and architecture. Dr. Angela Thomas, art historian and widow of the artist, retraces Max Bills biography, from his childhood to his training at the Bauhaus, his return to Zurich, and on until the late 1930s. She meticulously dissects Max Bills journey through his exchanges with his family, teachers, and peersand their individual respective life trajectories. In a highly
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