HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 10, 1834 vasi The contrast between the rigidity

The contrast between the rigidity of the wooden architecture and the concentrated energy of human gestures enhances the perception of shared effort and the coordination necessary for the work

Mourlot IV

such as the plate Honjo Tatekawa from the series Thirty-Six Views of Mount Fuji

filtered through contemporary folk art

where he developed his distinctive style over a long artistic career

HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 10, 1834 vasi The contrast between the rigidityBeautiful proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New