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They were and still are used as a tool for meditation and teaching within monasteries and the homes of the faithful
allowing him to explore the various ways in which individual light sources can illuminate a dark scene
the boatmen
also hand-picked
the exhibition poster was printed
KŌRIN FURUYA, Kōrin-style Patterns n. 68, 1897 sculture They were and still areStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (18681912). In exceptional condition, with untrimmed margins all around. Bibliography J. T. Carpenter, Designing Nature: The Rinpa Aesthetic in Japanese Art, The Metropolitan Museum of Art, 2012, p. 111 J. Hillier, The Art of the Japanese Book, London: Sothebys, 1987 A. Jackson (ed.), Kimono: The Art and Evolution of Japanese Fashion, London:
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