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The landscape he observes is the same as that depicted in the plate Tōkaidō Eijiri Tago no ura ryakuzu (Sketch of the Tago Coast near Eijiri on the Tōkaidō)
In the color version
printed on Arches vellum paper in a total of 300 copies plus some artist proofs
and a young man) on the base of what could be the entrance to a temple
edificato alla base del monte
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 75, 1836-1847 vasi The landscape he observes isStunning proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New
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